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Video Portrait: Arnold Marinissen

Arnold Marinissen

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A portrait of composer Arnold Marinissen and his work Transits, featuring 8 voices, bass flute, and live electronics, performed by Silbersee and premiered at Muziekgebouw aan 't IJ.

A portrait of composer Arnold Marinissen and his work Transits for 8 voices, bass flute, and electronics. Transits was commissioned by Silbersee, and the world premiere took place on March 28, 2019, at Muziekgebouw aan 't IJ, Amsterdam, performed by Silbersee. Conducted by Romain Bischoff Technical support by Wouter Snoei Silbersee performers: Viktoriia Vitrenko, Viola Cheung, Michaela Riener, Rianne Wilbers, Steven van Gils, Joos van Velzen, Arnout Lems, Maciej Straburzynski Helen Bledsoe – bass flute Wouter Snoei – live electronics Lighting and set design by Jeroen Smith, Ludo Winkelman Music published by Deuss Music Video by Marieke Rodenburg/Philming

LMNOP Gaudeamus Website Camiel Jansen 1920x1080 (1)

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FaKruTu Dakar Edition

FaKruTu Dakar Edition is a vibrant mix of Senegalese percussion, vocals, and electric grooves by the FaKruTu Trio. Recorded live at TivoliVredenburg during the 15th anniversary of the World Music Forum NL, the performance showcases energetic and soulful music that crosses cultural boundaries.

FaKruTu Dakar Edition is a musical experience that spans from Dakar to Amsterdam, bringing together a passionate powerhouse of established musicians from Senegal, Netherlands, and the United States. Senegalese percussion and songs blend with the eclectic and electric grooves of the FaKruTu Trio. The band has built a reputation for delivering high-energy, soulful performances that get the audience on their feet. This concert was recorded at TivoliVredenburg on November 1, 2022, during the 15th anniversary of the World Music Forum NL.Performers:Sean Fasciani (NL) - bassStefan Kruger (NL) - drumsMark Tuinstra (NL) - guitarMola Sylla (SN/NL) - vocalsOké Sène (SN/NL) - percussionBao Sissoko (SN/NL) - koraIn collaboration with World Music Forum NL and Old Roots New Routes.

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