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Interview with Kris Oelbrandt

Kris Oelbrandt

Kris Oelbrandt
Kris Oelbrandt – Stadscomponist Zwolle

Kris Oelbrandt reflects on how his experiences, especially as a monk, shape his music. In Catharsis, he explores the journey from turmoil to serenity, drawing inspiration from spiritual texts and creating emotional, meditative soundscapes.

Composer Kris Oelbrandt discusses the deeply personal nature of his work, reflecting on how his experiences and philosophy shape his music. He explains how his piano cycle Catharsis, particularly the pieces Fear and Growing Silence, express a journey from turmoil to serenity, drawing from his experiences as a monk. Oelbrandt delves into the spiritual influences in his music, notably the Rules of Benedict, and how these elements are transformed into emotional, evocative soundscapes. His creative process is both introspective and meditative, aiming to capture the essence of inner conflict and resolution.

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FaKruTu Dakar Edition

FaKruTu Dakar Edition is a vibrant mix of Senegalese percussion, vocals, and electric grooves by the FaKruTu Trio. Recorded live at TivoliVredenburg during the 15th anniversary of the World Music Forum NL, the performance showcases energetic and soulful music that crosses cultural boundaries.

FaKruTu Dakar Edition is a musical experience that spans from Dakar to Amsterdam, bringing together a passionate powerhouse of established musicians from Senegal, Netherlands, and the United States. Senegalese percussion and songs blend with the eclectic and electric grooves of the FaKruTu Trio. The band has built a reputation for delivering high-energy, soulful performances that get the audience on their feet. This concert was recorded at TivoliVredenburg on November 1, 2022, during the 15th anniversary of the World Music Forum NL.Performers:Sean Fasciani (NL) - bassStefan Kruger (NL) - drumsMark Tuinstra (NL) - guitarMola Sylla (SN/NL) - vocalsOké Sène (SN/NL) - percussionBao Sissoko (SN/NL) - koraIn collaboration with World Music Forum NL and Old Roots New Routes.

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