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Persian Miniature

Aftab Darvishi

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The Ruysdael Quartet asked 25 composers to create works with total freedom in style and theme. Many took inspiration from the painter Ruysdael, with others exploring themes of space, stars, and various musical genres like minimalism, jazz, and 17th-century influences.

The Ruysdael Quartet invited 25 composers to contribute to a project that serves as a colorful cross-section of Dutch composition at the beginning of the 21st century. The quartet gave the composers complete freedom in style and theme. But what do you do with such carte blanche? How do you express yourself in just a few minutes? It is notable that many composers have chosen the painter Ruysdael as their theme, while themes of space and stars also frequently appear. The result is a diverse selection of pieces, including lyrical music, minimalism, 17th-century influences, microtonality, jazz, world music, and virtually everything in between.

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FaKruTu Dakar Edition

FaKruTu Dakar Edition is a vibrant mix of Senegalese percussion, vocals, and electric grooves by the FaKruTu Trio. Recorded live at TivoliVredenburg during the 15th anniversary of the World Music Forum NL, the performance showcases energetic and soulful music that crosses cultural boundaries.

FaKruTu Dakar Edition is a musical experience that spans from Dakar to Amsterdam, bringing together a passionate powerhouse of established musicians from Senegal, Netherlands, and the United States. Senegalese percussion and songs blend with the eclectic and electric grooves of the FaKruTu Trio. The band has built a reputation for delivering high-energy, soulful performances that get the audience on their feet. This concert was recorded at TivoliVredenburg on November 1, 2022, during the 15th anniversary of the World Music Forum NL.Performers:Sean Fasciani (NL) - bassStefan Kruger (NL) - drumsMark Tuinstra (NL) - guitarMola Sylla (SN/NL) - vocalsOké Sène (SN/NL) - percussionBao Sissoko (SN/NL) - koraIn collaboration with World Music Forum NL and Old Roots New Routes.

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